In early November 2021, an international panel was convened to discuss the issues entangled in alternative ways of thinking about, understanding and valuing special environments. The goal was to determine if we needed to consider different ways to inform and shape the future of the Fenn’s, Whixall and Bettisfield Mosses and Macquarie Marshes, and environments like them. In this post, the two event organisers and co-leads of the Mosses and Marshes project, Kim V. Goldsmith and Andrew Howe reflect on the issues raised in the panel discussion.
Keith Ashford and Elizabeth Turner are Shropshire-based artists who have worked together to create sculptures, sited in the landscape at a range of different locations across Shropshire, Telford and further afield. During 2020, we began a conversation about making some work at Fenn’s and Whixall Moss, and we discussed these ideas with Shropshire Wildlife Trust. We were all excited that the National Lottery funding I secured from Arts Council England would enable these ideas to be turned into reality during 2021.
After almost two years of research and discussion, the Mosses and Marshes project was officially launched on World Wetlands Day, February 2nd 2021 with preview videos of some of the preliminary work that Kim V. Goldsmith and I have been creating together.
In this second part of a conversation with my artist collaborator Kim V. Goldsmith, we look ahead at some of the outcomes from our project and themes to explore… As you said in the earlier part of our conversation, there are all kinds of political, socio-historical issues associated with these wetland sites which inform theContinue reading “Pulse of the Wetland: Part two of a conversation with Kim V. Goldsmith”