Keith Ashford and Elizabeth Turner are Shropshire-based artists who have worked together to create sculptures, sited in the landscape at a range of different locations across Shropshire, Telford and further afield. During 2020, we began a conversation about making some work at Fenn’s and Whixall Moss, and we discussed these ideas with Shropshire Wildlife Trust. We were all excited that the National Lottery funding I secured from Arts Council England would enable these ideas to be turned into reality during 2021.
How would we describe the experience of seeing and being in this wetland landscape? It is not a place of classically dramatic views and spectacular rock formations. It is not particularly a place with natural physical challenges for the adventurous outdoor enthusiast. Yet there are challenges, perhaps more psychological than physical. Its charms are more understated, but no less impressive.
In this second part of a conversation with my artist collaborator Kim V. Goldsmith, we look ahead at some of the outcomes from our project and themes to explore… As you said in the earlier part of our conversation, there are all kinds of political, socio-historical issues associated with these wetland sites which inform theContinue reading “Pulse of the Wetland: Part two of a conversation with Kim V. Goldsmith”
Kim V. Goldsmith is an established digital media and installation artist, based near Dubbo in Central New South Wales, Australia. Raised on a large mixed farm in the region and going on to work as a rural journalist, farmer, and a marketing communications specialist in the rural, regional and natural resources sectors over the past 30Continue reading “Pulse of the Wetland: A conversation with Kim V. Goldsmith”